The gallery at the Delfina Foundation was reconfigured by Pup Architects for the Autumn 2019 programme: Science Technology Society. It was recast as a platform for experimentation and exchange rather than for display. Part installation, exhibition, workspace and lounge, it was used by resident artists as both work and social space. It was also used for public events, workshops and discussions.
The design introduced new and contrasting materials to the space in response to the themes of science, technology and society, which bring to mind ambiguous feelings. Representing both technological and organic worlds (much like Nick Laessing’s Plant Orbiter, exhibited in the space) materials are brought together to suggest possibilities of the in-between and cross-disciplinary thinking at the heart of the season’s theme. The dimming of light levels, application of deep colour and subtle spatial divisions created a sense of intimacy, warmth and focus as a setting for activities.
Furniture was designed to double up as playful, sculptural elements that lent character to the space. This included creature-like Leg Log Stools as well as Del and Fina Lamps. Six mirrored, organically shaped tables were designed to reflect dappled pools of light to soften the space. A raised platform covered with thick, recycled wool felt padding and sculptural pillows suggested a communal place to lounge.
Client
Date
2019
Location
Victoria, London
Budget
£5000
Science Technology Society

"Pup’s thoughtful and environmentally responsible approach has been applied to the design, reorienting the space, creating an environment of intimacy and dynamism, whilst also reflecting ideas of uncertainty and speculation which labour on the theme of the season itself ."
- Salma Tuqan, Deputy Director, Delfina Foundation.


Mirrored tables supported on aluminium bases with castors at different heights, they were able to overlap and intersect in different configurations, offering flexibility to the room.




The creature-like Leg Log Stools are constructed from sections of unfinished natural log and contrasting 50mm solid aluminium legs.
The Del and Fina lamps - part classical ruin, part site lamp cast from plaster – are used to create softer illumination throughout the space in lieu of the usual track lights.


The lounging platform provided a soft and natural counterpoint to the metallic palette.



